Arvio

Cloama's great-looking 7" contains two tracks: the title piece and The Spy Who Came In From The Cold, both of them with "Part 1" after the name. The first of these begins with processed speech, from which it moves to slow, pounding heavy electronics, then to a pulsating noise layer, to which is soon added the pounding again. The result is excellent. The B-side, too, starts with a bit of speech, but moves from that directly to slow, buzzing noise on top of which there are some vocals. If the A-side was excellent, this one's damn brilliant stuff. After a couple of slightly weaker works, we have hear again the Cloama which created masterpieces like Revisionist Knowledge and Valkoinen Kuolema. And that's good, because heavy electronics of this quality doesn't grow on trees.

Jiituomas

Cloama - In the State of Unbelief

Cloaman komean näköinen seiska pitää sisällään tasan kaksi kappaletta: nimiraidan ja B-puolen The Spy Who Came In From The Cold, molemmat alaotsikoilla "Part 1". Näistä ensimmäinen alkaa muokatulla puheella, josta siirtyy hitaaseen, takovaan raskaselektroniikkaan, siitä sykkiväksi noisematoksi johon taonta pian palaa. Tulos on kerrassaan mainio.	Artisti: Cloama Formaatti: 7" Levy-yhtiö: Cipher Productions Julkaisuvuosi: 2007 Painos: 130 kpl Kappaleita: 2
Myös B-puoli lähtee liikkeelle puheenpätkällä, mutta menee siitä suoraan surisevaan hitaaseen noiseen jonka päällä on vokaaleja. Jos A-puoli oli erittäin hyvä, tässä ollaan jo todella loistavan materiaalin puolella. Parin hieman heikomman teoksen jälkeen nyt on jälleen esillä se Cloama joka on luonut Revisionist Knowledgen ja *Valkoisen Kuoleman* kaltaisia mestariteoksia. Ja hyvä niin, sillä näin hyvä raskaselektroniikka ei todellakaan kasva puissa. Jiituomas

Takaisin - Kokoelmat - A - B - C - D - E - F - G - H - I - J - K - L - M - N - O - P - R - S - T - U - V - W - Demot

Cloama's great-looking 7" contains two tracks: the title piece and The Spy Who Came In From The Cold, both of them with "Part 1" after the name. The first of these begins with processed speech, from which it moves to slow, pounding heavy electronics, then to a pulsating noise layer, to which is soon added the pounding again. The result is excellent. The B-side, too, starts with a bit of speech, but moves from that directly to slow, buzzing noise on top of which there are some vocals. If the A-side was excellent, this one's damn brilliant stuff. After a couple of slightly weaker works, we have hear again the Cloama which created masterpieces like Revisionist Knowledge and Valkoinen Kuolema. And that's good, because heavy electronics of this quality doesn't grow on trees. Jiituomas